Rating: 5/5 stars. I love this book!
Length: 569 pages
This is exactly the kind of historical fiction I like to read: Wilkie Collins’ The Woman in White is a detective story where we uncover the events of the book through the testimonies of different characters. The first page of the book summed up what Collins was trying to achieve perfectly:
Thus, the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness–with the same object, in both cases, to present the truth always in its most direct and most intelligible aspect; and to trace the course of one complete series of events, by making the persons who have been most closely connected with them, at each successive stage, relate their own experience, word for word.
The main characters are Walter Hartright (a drawing master), Laura Fairlie and her sister Miss Halcombe. The woman in white is Anne Catherick, whom Walter meets in the middle of the night in a strange circumstance while on his way to the Limmeridge House to teach drawing to Laura and her sister.
Rating: 4/5 stars because of the universal themes of coming of age and first love. The graphic novel format is a plus and adds to the perspective.
Length: 592 pages.
This is a wonderful and funny book that I read earlier this year through the recommendation of Flashlight-worthy Books. The book is an illustrated novel, drawn in black and white and tells the story of the author’s relationship with his brother, his experiences in Christian youth camp and his first love. It’s hefty, coming at about 600 pages, but every page is worth it and once you’ve started, you won’t be able to put it down. The final read time for me must have been under 3 hours, max, since I breezed through it. You will too, once you get engrossed in the story.
What I like about this one is that it says a lot without clubbing you over the head with it. The author was coming to terms with his faith and what his religion says at a time when he was experiencing love for the first time. This theme isn’t new but the format of the book allows exploration of the topic without bogging you down with heavy descriptions and details. The graphic strips make you visualize the scenes, rather than imagine them, making you feel as if you’re witnessing the scenes happening (like a movie) without projecting yourself into the book and experiencing the scenes as if you are the author. This is a novel method because it makes the book pleasant overall, yet it can still make you feel that wrenching feeling when you sympathize with the characters at all the appropriate times.